• Gabriel Curtin

Gabriel Curtin

  • Gabriel Curtin

Discretion, shortlisted for the NT Literary Awards 2021.

Discretion

My lime green lanyard parts
doors onto the purring hunger 
of the library where I thought
discretion might be an act of love.

While policy mandates 
otherwise, I hand out 
free prints by the public 
photocopier, grant access to 

the private phone, spend forty 
minutes instead of ten 
transferring gospel music to 
mobiles from at-capacity 

USBs, recovering passwords 
to download income 
statements. Then I thought 
discretion might be a device 

of power, necessarily the prize 
of pageants adjudicated 
by eye-sight or vibe. Afraid 
of paternalism, I adopted 

a maxim if one warrants
discretion, all do
 and everyone
was cleaved from circumstance.
With no reason 

to know anyone anymore, 
I thought discretion might be 
the carceral state. Discretion
is not kicking minors into forty 

one degree days, its not 
withholding fruit when you have 
excess, it’s also mayors 
securing tenders for pals, cops 

letting fast white drivers 
off. So I thought discretion 
might be an ultra-sonic 
device, echolocating infrastructure 

briefly in hologram blue, like 
the colours bullied into your 
eyelid after bright light—a 
capilaric rendering of form

and what exceeds it, hard 
to study long enough before 
it loses definition, or gains it, 
as if apprehending negative 

space letters leave without 
detecting what the inverse says,
which is slightly possible by 
zooming way in. 

By its own light discretion only 
exists if policy exists, so I thought 
discretion might be policy, desperate 
to relegate need to the call centre,  

imagining infinite transfers 
that move want like wealth. We want 
to do away with policy altogether 
which is slightly possible by 

zooming way in. By the entrance, 
under translucent yellow 
windows striped with see-through 
words— minerals, adventure, 

learning —
we’re photocopying 
passports, we’re signing stat 
decs, we’re filing for divorce. 
Up close, we combine tones 

exchanging papers, language 
each other, inflect with each 
alternation like geologists 
skateboarding the survey 

vessel’s helipad arching over 
rough swell, in short, we jam 
in range of asking for everything. 
Twice a day the sun casts

the outline of a word across bodies 
by the photocopiers, the letters 
illegible; trembling cuts 
in garbled yellow.

Living and labouring on unceded Arrernte Country.